Carl Larsson.org, welcome & enjoy!
|
|
Want A Reproduction?
|
Franz Xaver Winterhalter
German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich. Related Paintings of Franz Xaver Winterhalter :. | Helene Louise Elizabeth de Mecklembourg Schwerin, Duchess D'Orleans with Prince Louis Philippe Alber | Varvara Korsakova | Portrait of Charlotte of Belgium | Charles-Jerome, Comte Pozzo di Borgo | Portrait of Madame Barbe de Rimsky-Korsakov | Related Artists: VERNET, Claude-JosephFrench Painter, 1714-1789
Painter. Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy. Henry Leonidas RolfeBritish,active 1847-81 Jean de LiegeFlemish Gothic Era Sculptor, active 1361-1382
|
|
|
|
|
|
|
|
All the Carl Larsson's Oil Paintings
Supported by oil paintings and picture frames
Copyright Reserved
|